Recorded remotely as part of the 2020 Music Academy of the West Vocal Institute’s “Myths & Revelations” project. Watch the entire collaboration here: https://www.musicacademy.org/concert-hall-online/07-21-2020/ Soprano: Anna Schubert Piano: Ga-Young Park Director: James Darrah Video editor: Adam Larsen Audio engineer: Jason Schmid

Got protest songs on the mind... ¯\_(ツ)_/¯ Get involved: https://blacklivesmatters.carrd.co/ Power to the people and solidarity forever.

Made with 100% real ennui. No Anna's lungs were harmed in the making of this picture.

Felt like recording one of my favorite art songs because I am missing using my classical voice. But did I still record the accompaniment vocally like an absolute nerd? Yeah def. Music by Claude Debussy, poetry by Paul Verlaine, singing by me.

Full version coming soon, but I thought the quartet sounded nice enough to get its own little showcase. :) "Lida Rose" from Meredith Wilson's The Music Man, sung by me.

It really do be like that. This is my a cappella vocal cover of Robert Schumann's "Im wunderschönen Monat Mai" from his song cycle, Dichterliebe. Here is the text by Heinrich Heine (translated by Hal Draper): In May, the magic month of May, When all the buds were springing, Into my heart the burning Bright arrow of love came winging. In May, the magic month of May, When all the birds were singing, I told her of my yearning, My longing and heart-wringing.

A little treble polyphonic version I made today of this Psalm setting by Richard Proulx. Who doesn't love Lydian mode and parallel fifths, right?

I've been missing my grandparents lately (actually always, but especially in times of uncertainty). My grandpa introduced me to this song just before he died, and it instantly became one of my favorites. My arrangement is silly, but so was he. This one's for him and all the grandparents out there. The original was written in 1924 by Isham Jones (music) and Gus Kahn (lyrics). This is a cover of Joe Brown's version, which I heard on the album Concert for George (Live).